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Kim Steutermann Rogers's avatar

I'm so glad you took the time to review this book. As much as I, too, hate to bash books, sometimes you just have to speak up. I'm glad you did. I'll try better, too.

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Matt Asaro's avatar

Antonia, I bought this book because I saw it in a picture you included in a previous article. Now I don't know whether to burn it or dump it. Either way, I sorry to have given this guy my money and I am grateful you've saved my time.

The idea that colonialism happened and is now over, that "the world has moved on," is precisely what permits it to continue. Colonialism and ownership, as you describe, are ongoing processes, not single events or occurences. I recently read Rehearsals for Living by Robyn Maynard and Leanne Betasimosake Simpson wherein they exchange letters describing the ongoing machinations of colonialism and articulate alternative presents and futures. It is beautiful, and would be the perfect antidote to the arrogance splattered on Winchester's pages. If you have not yet read it, that book fits right in with your work.

They way you describe Winchester's work also drew to mind Toni Morrison's speech entitled "A Humanist View", where she surveys old documents accounting for the import and exports of people. In those documents, as with Winchester's writing here, "you can sense the reasonableness, the gentlemanly assertion," she explains, which implies the inevitability and the haunting respectability of the most cruel and depraved things—of owning and trafficking people, children, of mass murder for land theft. Among other things, I see our task as writers to de-normalize the unspeakable cruelties of these legacies and articulate their connection to now. You have done that here and elsewhere and I am grateful for that. I look forward to reading more.

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